Ed Harris You Think You Know Death
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[This story contains spoilers for season two, episode 4 of HBO'due south Westworld , called "Riddle of the Sphinx."]
For a bear witness that already trades in deeply dense story material, Westworld just managed to summit itself.
The fourth episode of flavor ii, directed by Lisa Joy from a script written by Gina Atwater and Jonathan Nolan, contained more than twists and turns than many other shows would attempt in a single season, allow alone a plus-sized episode. Desire to know more nigh the Delos lath'due south hole-and-corner plans for the park'south technology? Look no further than "Riddle of the Sphinx," which confirmed 1 of the wildest theories about the series: host technology is existence used to explore the thought of homo immortality, with mixed results thus far.
Desire to know who helped push that endeavor into existence? Look no further than William, played alternately past Jimmi Simpson and Ed Harris, who seems like he'southward since realized the mistake of those means.
Always wonder about the Human in Black'southward daughter, Emily? Well, at present you lot can put a face to the proper noun: Katja Herbers' character "Grace," as she's been called in HBO's notes, is really Emily, and she's fully reunited with her black-hat-wearing father by the end of the installment.
None of which speaks to the return of Elsie (Shannon Woodward) for the get-go time since she vanished 7 episodes ago, nor the fact that Bernard (Jeffrey Wright) was involved in a secret project that culminated in him murdering a room filled with scientists, nor the fact that Bernard was tasked with building a host body for another human being rather recently; very likely someone we already know, but unconfirmed in that regard for at present.
All of which is to say this: the wild west genre-mashup went in wild new directions this calendar week, spawning a whole host of new reveals and theories worth chewing on. Here'due south how it all played out:
Play With Fire
The episode begins with a scene that evokes the season ii premiere of ABC's Lost, when viewers beginning traveled into the hatch and met Desmond Hume. The commencement image: a record, slowly spinning, playing the Rolling Stones' "Play With Burn down." A camera pans across a well decorated enclosed space filled with marble furniture, a fish tank, an exercise cycle and a man: James Delos (Peter Mullan), repeating routines on a loop. He's visited by his son-in-constabulary William (Simpson), carrying a bottle of whiskey. Delos pours them both a drink. William declines; it's a picayune early on in the day for him.
"A petty fucking late, you mean," says a grinning Delos, correcting his son-in-law. "Likewise, if y'all aim to cheat the devil, y'all owe him an offering."
Over the grade of a few scenes, information technology becomes apparent that William isn't coming together with his father-in-law after all — at to the lowest degree, not in the traditional sense. A second iteration of the same scene plays out midway through the episode, where it becomes clear that Delos isn't Delos at all, but a host version of the human being, with his previous consciousness applied to the artificial body. Delos died seven years agone (his wife has since passed away every bit well), and he and William were setting out to employ the park's technology to extend his life past mapping his consciousness onto an all-new torso.
It turns out, the procedure isn't going every bit swiftly every bit they had hoped. Delos tries to convince William that he's ready to exist unleashed upon the outside world, just when he starts stumbling over uncomplicated words and showing signs of extreme agitation, it's clear that there'south more work to be done. William has a lab technician incinerate Delos and the space he's been living in, but for them to try once more another time.
Many years later, William returns again, this time as played by Ed Harris. Delos immediately suspects the situation given William's aged appearance, but otherwise they once once more go through the motions. When Delos asks if it's time for his release, William reveals that this is the 149th time they've brought him back from the dead. "We're getting closer to working out the kinks, slowly simply surely," William says, slowly sipping on his whiskey. "Some other year or two and they might crack it and get a version of you that'due south feasible long term… just the matter is? I'm non so sure anymore."
William proceeds to reveal his belief that "the whole enterprise was a error; people aren't meant to live forever." Delos is clearly agitated, assertive William wants nada more than than to run the company and sleep with Delos' daughter. William reveals that she killed herself recently. Delos becomes even more upset, calling out for Logan (Ben Barnes), who apparently is dead as well, having overdosed many years before.
"Information technology took me a long time to acquire this," William tells Delos as he leaves, "merely some men are better off expressionless."
When William leaves Delos backside one last time, the attention lab technician asks if he wants to terminate the build in one case once more. William declines. "Go out him," he snarls. "It might be useful to observe his degradation over the next few days."
More than on that very bad decision to leave Delos alive afterwards. Showtime…
Ane Good Deed
William and Lawrence (Clifton Collins Jr.) go on their trek through Westworld, and their pursuit of Ford's game. They lookout every bit several hosts lay railroad rails on top of spring guests, driving spikes through their heads; a grisly sight indeed. The pair determines that their best path forrard is to go through Lawrence's former hometown, which William takes as a sign of Ford "arranging a reunion."
When they arrive in Las Mudas, information technology nigh feels as though history is about to echo itself. Last time he was here, the Man in Black shot up the boondocks with ruthless efficiency, even killing Lawrence's ain wife right in forepart of him. This time, however, the tables are apace turned as Major Craddock (Jonathan Tucker) and his gang of Confederados — the same ones liberated by Teddy (James Marsden) one week agone — have taken over the boondocks.
Craddock torments the inhabitants of Las Mudas, shooting their leader in cold claret and torturing the barkeep with nitroglycerin. Terrified that he's going to die in front end of his wife and girl, Lawrence pitches a plan to escape and dig upwardly a stash of weapons buried in an unmarked grave. The Man in Blackness takes this information and offers information technology up to Craddock, offering to take him to his desired next destination — "Celebrity," every bit Craddock calls information technology — in exchange for his own survival.
Equally the solar day bleeds into night, Craddock and his men become more and more twisted toward Lawrence, Lawrence's family and anybody else in the town. Craddock claims he's aligned with death, having cheated it once before with assist from Dolores (Evan Rachel Forest). The Man in Black, moved by the sight of Lawrence's married woman and thinking back on his ain late wife, takes matters into his own easily.
"You call back you know death? Yous don't," William growls at Craddock, before burying a cleaved bottle into his cervix. "You didn't recognize him sitting across from you this whole fourth dimension."
The Man in Black gain to shoot up Craddock and the residue of the Confederados, with much less ease than the terminal time he shot upward Las Mudas; such is life when the stakes of the game are raised. He pours a shot of nitroglycerin down Craddock'southward throat, so allows Lawrence the honor of shooting the twisted host to smithereens.
The following morning, Lawrence reveals he and his cousins are going to soldier on with William. Lawrence'south wife thank you William likewise. Only Lawrence's daughter — the same little girl who once told him that "the maze isn't meant for you" — whistles a unlike melody. She speaks with the words of Robert Ford, and warns William that one good deed won't change who he is.
"Who said anything about a good deed," William shoots back. "You wanted me to play the game. I'm going to play it to the os."
"And yous however don't empathize the existent game we're playing here," the Ford-fueled girl replies. "If you lot're looking forward, you're looking in the incorrect direction."
With that cryptic clue, William and Lawrence's crew ride out into the sunset, where they meet up with a woman on horseback: Emily (Katja Herbers), fresh from surviving a nighttime in the park with Ghost Nation. "Hi dad," she says, a revelatory line that ends the episode.
Only more than business nonetheless ahead in our recap! Nosotros oasis't even touched upon…
In the Mouth of Madness
What did Clementine (Angela Sarafyan) want with Bernard? We're withal non entirely sure, but at to the lowest degree nosotros now know where she brought him: to a cave, where Elsie has been imprisoned ever since the kickoff season. In her return, Elsie confirms it was Bernard who captured her in the beginning place, leaving her here with lilliputian more power bars and a saucepan. For his part, Bernard doesn't remember his role in capturing Elsie, those season i flashes however; he swears that Ford (Anthony Hopkins) was behind it all.
The power dynamics between the veritable warden and prisoner soon flip once Bernard frees Elsie and starts having another earthquake. Here, Elsie finally discovers the truth that Bernard is a host, and she reluctantly helps bring him back online. One time he wakes up, she starts to caput out into the park, but Bernard changes her mind when he reveals the current state of the park and Delos' refusal to intercede until they auscultate Peter Abernathy (Louis Herthum).
From here, Bernard experiences another round of strange temporal flashes, watching a past version of himself in this very aforementioned cave. He remembers that the cave is really a front end for a secret outpost, and within, they find anarchy: tons of dead bodies, human and drone host akin. Bernard has memories of working hither, which are briefly interrupted when a sole surviving drone host emerges; Elsie takes information technology upon herself to kill the thing, despite Bernard's protests. As Elsie infuses Bernard with the cortical fluid he so desperately needs, she openly questions whether or not he'south still at Ford'due south mercy.
"Ford's dead," Bernard wearily replies, prompting an equally weary response from Elsie: "Fuck me."
Deeper in the lab, behind a door Bernard begs Elsie not to open, the pair notice what remains of James Delos, still live afterward William'due south aforementioned concluding visit. Delos has killed the attending lab tech, and Bernard and Elsie are forced to fight him off. The crazed Delos eventually relents, unable to surpass Bernard's physical strength. Bernard and Elsie put the human being-host hybrid out of his misery, and come to the terrible realization that Delos has been copying developed minds and placing them onto control units — effectively, a means for mere mortals to cheat death and get immortal.
Bernard believes he was tasked by Ford with building another body for some other person, simply isn't sure who that person is. Rifle in manus and terrible knowledge in mind, Elsie and Bernard make a pact to work together to find out the answer. Elsie makes Bernard promise to never prevarication or hurt her once again. "Of course," he responds, moments before viewers are treated to some other serial of flashbacks, in which both Bernard and the drone hosts impale the human scientists whose bodies are currently littered effectually the lab. It leaves usa to wonder: can we trust Bernard, or has he himself plunged too far downward into the rima oris of madness?
What exercise yous make of the latest Westworld twists? Audio off in the comments below and keep checking THR.com/Westworld all season long for more coverage.
Source: https://www.hollywoodreporter.com/tv/tv-news/westworld-recap-season-2-episode-4-explained-1111357/
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